February 25, 2026 10:40 pm (IST)
Follow us:
facebook-white sharing button
twitter-white sharing button
instagram-white sharing button
youtube-white sharing button
India-US trade deal at risk? Trump imposes massive 126% duty on solar imports | ‘My life reflects this reality’: Shooter Tara Shahdeo recalls forced conversion amid Kerala Story 2 row | Modi begins Israel visit to boost defence, tech and strategic ties | Trump claims Pakistan PM told him he prevented 35 million deaths by stopping India-Pakistan conflict | Supreme Court's big move over Bengal SIR! Odisha, Jharkhand judicial officers allowed to complete revision process | ‘Kerala lives in harmony, film’s portrayal wrong’: Kerala High Court raps Kerala Story sequel makers | AI panic hits IT giants: Infosys, TCS, Wipro lead massive market rout as stocks sink to alarming lows | ‘No systemic risk’: Sanjay Malhotra breaks silence on ₹590 crore IDFC First Bank Limited fraud | India urges all nationals to leave Iran 'by available means' as US-Iran tension grows | India shines at BAFTA! All you need to know about Manipuri film Boong that stunned global cinema
TIFF 2020
Image Credit: Nomadland./TIFF

TIFF 2020 film 'Nomadland' is a study of modern-day nomad's life in West America

| @indiablooms | Sep 24, 2020, at 05:18 am

Toronto/IBNS: Directed, edited, produced, and screen played by Chloé Zhao, TIFF 2020 Gala Presentation 'Nomadland', an adapted version of Jessica Bruder’s non-fiction book celebrates humanity and community as she portrays the intimate life of widowed Fern (Frances McDormand) as a modern-day nomad. 

Chloe has tactfully balanced Fern's character portrayal in the world of the 21st century, seen doing odd jobs with the vast landscape of the American West by anchoring the audience into Fern’s intimate portrait so that they comfortably experience the landscape of West America.

The tone of the story is set by an early image when Fern’s van is the only vehicle on the highways of America’s West, following the seasons and seasonal jobs portraying not only her loneliness and isolation but also her individualism and resilience. 

It is through Fern’s laborious life to earn a living doing odd jobs, try and fail and try again to form relationships, against the background of vast expanses of desert and sky clearly, that Chloe makes the spectators feel that they are watching a portrait of America at the present time submerged under loneliness, depression, and hopelessness and struggling to make ends meet.

Fern’s disinterestedness in the society and her surroundings become obvious as she treads her own path through a camp of nomads chatting, exercising together, or working on their caravans.

Though being relieved by not having to confront society, Fern still feels the pressure as an outsider and being continually challenged to learn how to deal with suffering and loneliness while barely surviving.

Fern’s joy of meeting a man (David Strathairn), who looks like a perfect match is short-lived when her instinct reminds her that being a nomad she cannot forge a bond.

Chloe seeks out characters living in the margins of society to portray to the audience why these seeming outcasts define America, and movies, more than the big-screen protagonists.

Produced by Chloé Zhao, Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey, the film's casts are Frances McDormand, David Strathairn, Linda May, and Charlene Swankie

Born in Beijing, Chloé received her BA in political science from Mount Holyoke College in Massachusetts, and her MFA in film production from NYU. Her films include the shorts The Atlas Mountains (08), Daughters (09), and Benachin (10), and the features Songs My Brothers Taught Me (15), which screened at TIFF Next Wave, and The Rider (17), which played the Festival. Nomadland (20) is her latest feature.

(Reporting by Asha Bajaj)

Support Our Journalism

We cannot do without you.. your contribution supports unbiased journalism

IBNS is not driven by any ism- not wokeism, not racism, not skewed secularism, not hyper right-wing or left liberal ideals, nor by any hardline religious beliefs or hyper nationalism. We want to serve you good old objective news, as they are. We do not judge or preach. We let people decide for themselves. We only try to present factual and well-sourced news.

Support objective journalism for a small contribution.