August 09, 2026 06:49 pm (IST)
Follow us:
facebook-white sharing button
twitter-white sharing button
instagram-white sharing button
youtube-white sharing button
‘A morning I will cherish’: Raghav Chadha meets PM Modi, shares photos from ‘enriching’ meeting | Delhi Mercedes crash kills 70-year-old woman: Cop’s son behind wheel, beer bottle found | Indian-origin woman accused of ‘visa fraud’ on X: US Attorney steps in with major clarification | US Senate passes Russia sanctions bill: India can face Trump’s 100% tariff threat | Expired meat, rotten vegetables found at Bengaluru's luxury hotels, legal action begins | 'I'm ready to be humiliated': Vijay, Udhayanidhi Stalin clash in Tamil Nadu Assembly over Cauvery dispute | 'They don't need Mohan Bhagwat's certificate': Priyanka Gandhi Vadra's sharp reply to RSS chief's Gen Z remark | 'Students, Gen Z, ask me anything': Rahul Gandhi launches Instagram Q&A, responds to Jharkhand protest | PM Modi goes Gen Z, urges Indians to share 'Get Ready With Me' videos on National Handloom Day | Former Tehelka editor Tarun Tejpal sentenced to 10-year jail term in 2013 rape case as Bombay HC overturns acquittal

KIFF: A bouquet of films from across the world

| @indiablooms | Nov 11, 2018, at 01:28 pm

Kolkata, Nov 10 (IBNS) The  Kolkata International Film Festival (KIFF) keeps growing in leaps and bounds from one year to the next. This year, its 24th year, is no exception. 

An added dimension is the global coverage of the festival for the first time on International Radio Station. Add to this the organization of a film preservation and restoration workshop held under the aegis of the festival. The Film Heritage Foundation also curated a special screening programme showcasing eight restored film classics that covers four Indian and four international films.

The two focus countries this year among the 171 international films selected from 70 countries are Tunisia and Australia, both very popular among cineastes across the country.

The festival will be playing host to 70 invited foreign film personalities from 25 countries and 50 film personalities from India. Among eminent personalities present at the festival are favourite Iranian filmmaker Majid Majidi, Jill Bilcock and Nandita Das who has been invited to deliver the Satyajit Ray Memorial Lecture this year. Australian directors Philip Noyce and Simon Baker will also arrive to be present at the film screenings.

At least 150 short films and documentaries are also included in another competition section of the festival. “Carnival of World Cinema in the City of Joy” is the new tag line added to the festival this year turning it into a “carnival” instead of a “festival.” Are the two the same? One wonders….One important addition is a feature-long documentary on Bengali cinema’s pioneer Hiralal Sen directed by Arun Roy that the audience will get to watch.

There were some doubts voiced by veteran critics around the question on choosing the Bengali film Antony Firingee as the inaugural film of the festival as it was considered a box office hit that featured matinee idol Uttam Kumar in the title role. But looked at in retrospect, this film has several layers of human, political, emotional and creative conflict that are not only timeless and sensitive within the country’s present ambience of religious conflict but also has universal appeal.

Ardent cine buffs are looking eagerly forward to a retrospective of films by Ingmar Bergman in celebration of his 100th biirh anniversary in addition to a feature-length documentary on the filmmaker.

A total of 26 old and new films will be screened across the venues made by Australian director Philip Noyce who also has a retrospective dedicated to him. We have seen most of his films that have been widely released in India including the ones that are being screened such as Salt, Clear and Present Danger, The Bone Collector and Patriot Games.

One of the most attractive screening programmes is the section dedicated to 100 Years of Bengali Cinema which has been curated with great care to cover not only a host of different directors of great merit but also different genres, actors and stories that beautifully map the evolution of Bengali cinema beginning with Modhu Bose’s Alibaba and closing with Rituparno Ghosh’s Unishe April.

Let us now wait and watch…….

 

(Report by Shoma A. Chatterji)

Support Our Journalism

We cannot do without you.. your contribution supports unbiased journalism

IBNS is not driven by any ism- not wokeism, not racism, not skewed secularism, not hyper right-wing or left liberal ideals, nor by any hardline religious beliefs or hyper nationalism. We want to serve you good old objective news, as they are. We do not judge or preach. We let people decide for themselves. We only try to present factual and well-sourced news.

Support objective journalism for a small contribution.