August 09, 2020 17:08 (IST)
Follow us:
facebook-white sharing button
twitter-white sharing button
instagram-white sharing button
youtube-white sharing button
Cattle smuggle on rise along Indo-Bangladesh border, three smugglers held with 44 cattle heads | Govt transferred Rs. 17,100 crores directly to 8.5 crore farmers' bank accounts: PM Modi | India records biggest single-day spike of 64,399 new COVID-19 cases | Massive fire breaks out at Andhra Pradesh COVID-19 facility, 7 dead, many feared trapped | Covid-19: West Bengal registers 2,949 new cases, toll crosses 2,000-mark
Weavers Studio Resource Centre , Tantuja join hands to restore beautiful Baluchori

Weavers Studio Resource Centre , Tantuja join hands to restore beautiful Baluchori

India Blooms News Service | | 25 Oct 2016, 08:47 pm
Kolkata, Oct 25 (IBNS): Baluchoris, one of the evergreen glories of West Bengal, are all set to come back into the limelight.

These beautiful, hand-woven saris of Bengal - depicting Indo-European social and courtly life in Murshidabad - were introduced to the Benares handloom industry in the 1950s, which lead to the evolution of a new genre of Balucharis.

Such efforts were taken further in the 1980s, consolidating a new, contemporary tradition of its making.

Now, Weavers Studio Resource Centre (WSRC) in association with Tantuja, is unveiling a series of initiatives to draw attention to the various technical, historical, and creative aspects of Balucharis, and undertaking a revival project to recreate its traditional designs and explore new directions for the future.

The programme ‘Baluchari: Bengal & Beyond’ has a slew of initiatives towards contemporising this ever-glorious sari through design and ethics of craft revival, which was discussed at a Press Conference addressed by  Darshan Mekani (Director, WSRC);  Rabindranath Ray (MD, Tantuja);  Kasturi Gupta Menon (President, Crafts Council of India) and Narayan Sinha (Artist).

“Baluchoris have a uniquely recognisable visual-material language, and are among the most figurative forms of hand-woven brocades in South Asia. Its historical legacy of patronage by royalty and aristocracy continues to maintain its appreciation as a rare textile art from the subcontinent,” said  Darshan Mekani, Director, Weavers Studio Resource Centre.

The programme, slated to continue from Nov 18 to Dec 4, will feature an exhibition showcasing historical pieces from Tapi, WSRC, as well as institutional and private collections.

Contemporary pieces are included from Benares and Bishnupur, as well as specially-commissioned garment interpretations by renowned Indian fashion designers.

This revival initiative has been supported by MSME and the Textile Department of the Government of West Bengal, and reproduction pieces will be showcased through Tantuja.


The exhibition will also feature the current designs and status of the Baluchari, as well as future directions for the textile in fashion, home and lifestyle, by leading Indian designers.

 

On Nov 19, there will be a day-long seminar with eminent historians, textile experts, GI deliberation and master craftspersons’ perspectives at the auditorium of the Birla Academy of Art and Culture.


This will be presented by Jyotindra Jain, Tulsi Vatsal, Jasleen Dhamija, Naseem Hafiz, Monisha Ahmed, Anjan Chakraverty, Ritu Sethi, Mayank Mansingh Kaul, and others. Rosemary Crill will be the moderator.